Can you guess the movie?*
It's a biopic from the 1990s. If you're stumped highlight for the answer. It's... LOVE IS THE DEVIL starring Derek Jacobi and Daniel Craig. How about that?
*
Minggu, 03 Oktober 2010
First and Last, "Time on My Hands"
first and last images from motion pictures (excluding credit sequences)
Can you guess the movie?*
It's a biopic from the 1990s. If you're stumped highlight for the answer. It's... LOVE IS THE DEVIL starring Derek Jacobi and Daniel Craig. How about that?
*
Can you guess the movie?*
It's a biopic from the 1990s. If you're stumped highlight for the answer. It's... LOVE IS THE DEVIL starring Derek Jacobi and Daniel Craig. How about that?
*
Sabtu, 02 Oktober 2010
Foreign Film Race: Ricardo Darín... Again. And More...
<--- Portrait of a Busy Actor.
The charts have been updated to include new submissions from Argentina, Costa Rica, Hong Kong and Portugal. The latter chose a transsexual film from the controversy baiting director João Pedro Rodrigues of O Fantasma (2000) fame. If you've ever seen that one, and if this one feels like it's coming from the same mind, you'll understand this is a brave if impossible choice.
Here are the trailers for the Argentina (in which Darín plays an ambulance chaser who gets involved with a doctor) submission and Portugal, too.
And once again the Oscar pages:
There's some missing info but I shall fill in as I find time. I'm off to the New Yorker Festival to see Pee Wee Herman and Jake Gyllenhaal. They can't be kept waiting.
*
Should Case 39 be open or shut? Half and half for a laugh, perhaps?
Craig here, taking a look at Renée Zellweger's new cinema release. (There are a few mild spoilers contained)
Case 39 stars Zeéeeee as Emily Jenkins, a concerned social worker in a headband. She’s worried about the well being of a child. We’re more worried about her personal hair-care regime: when her hair is up, fixed in place with said headband, she’s out of danger; hair down means terror is likely afoot. Her life depends on the precarious positioning of her follicles. Make a note of the subtle differentiation as it will help guide you through the many twisty plot derivations of Christian Alvart’s new (though actually old*) horror-thriller.
Headbanded Emily Jenkins gets the titular case plopped on her desk, so she duly investigates a couple who she suspects have been mistreating their 10-year-old daughter Lillith (Jodelle Ferland). She scrambles to the couple's creepy house along with boss Ian McShane (growling an otherworldly accent as yet unidentified by literature or science), just as the parents are about to roast li’l Lill in the oven -- seriously, this scene is hilarious. Zellweger and McShane lay waste to moody-mom and bad-dad’s furniture and faces whilst rescuing the half-baked moppet. (McShane, trying out too-late for a role in The Expendables, literally dropkicks the mother into a table and indents a fridge with the father’s head - and McShane’s about 110 years-old! The Oscar for Best Supporting Sexagenarian Shit-Fit is his for the taking).
Soppy ol' Emily, ditching the headband, gets to adopt Lillith and live happily... never after? ‘Cause, ah, you see, maybe there’s more to case 39 than our Zeéeeee bargained on (as we’ve only sat through half of the film's 109 minutes). Is Lillith actually as sweet and innocent as everybody initially thought? Could she be the devil with a dollhouse? If you haven’t guessed what’s happening by this point then you haven’t been paying attention to the headband theory. (Hair up = phew, safe; hair down = argh, get that spawn of Beelzebub off my property, post haste!)
Emily soon forgets about cases 1 through 38 (all other kids in peril can obviously go take a jump) to do everything in her power to Get To The Bottom Of All This. There are a handful of amusing scenes along the way, and more than a few howlers peppering the plot; a fun so-bad-it's-good time’s almost to be had. If you're willing, try a few pre-movie drinks. One scene where Lillith asks a headbanded Zeéeeee if she could brush her hair had me shouting, 'Yes! For the love of God, yes! Take that headband away and brush her hair!'
There’s a naked Bradley Cooper as Zeéeeee's beefcake beau, who has his bath time royally ruined by a particularly pressing wasp problem; he then buzzes off halfway into the film (the script for The Hangover must have arrived.) Although the scene where Ferland is interviewed by Cooper, and acts him and anyone else (in this scene and others) right off the screen, is genuinely creepy. Renée just puts on a tight face and stands by looking awkward. In a headband.
The editing may have been carried out by a drunken Edward Scissorhands, and the pace is defined by accident rather than design. Case 39 is more eventful than Joshua, but doesn’t have the daft-but-nifty twist or fun factor of Orphan - two other recent Is My Kid Satan's Spawn? genre entries. It’s so close to being a new trash gem, but, despite a grab-bag of chucklesome moments early on, it wimps out at the last minute with a wet whimper. Near the end Renée says, “You know, none of this should ever have happened!” Oh Zells Bells - you took the words right out of my mouth.
Case 39 is in theaters now.
Headbanded Emily Jenkins gets the titular case plopped on her desk, so she duly investigates a couple who she suspects have been mistreating their 10-year-old daughter Lillith (Jodelle Ferland). She scrambles to the couple's creepy house along with boss Ian McShane (growling an otherworldly accent as yet unidentified by literature or science), just as the parents are about to roast li’l Lill in the oven -- seriously, this scene is hilarious. Zellweger and McShane lay waste to moody-mom and bad-dad’s furniture and faces whilst rescuing the half-baked moppet. (McShane, trying out too-late for a role in The Expendables, literally dropkicks the mother into a table and indents a fridge with the father’s head - and McShane’s about 110 years-old! The Oscar for Best Supporting Sexagenarian Shit-Fit is his for the taking).
Be honest, does my hair look good like this?
Soppy ol' Emily, ditching the headband, gets to adopt Lillith and live happily... never after? ‘Cause, ah, you see, maybe there’s more to case 39 than our Zeéeeee bargained on (as we’ve only sat through half of the film's 109 minutes). Is Lillith actually as sweet and innocent as everybody initially thought? Could she be the devil with a dollhouse? If you haven’t guessed what’s happening by this point then you haven’t been paying attention to the headband theory. (Hair up = phew, safe; hair down = argh, get that spawn of Beelzebub off my property, post haste!)
Renée keeps the family dinner warm in Case 39
Emily soon forgets about cases 1 through 38 (all other kids in peril can obviously go take a jump) to do everything in her power to Get To The Bottom Of All This. There are a handful of amusing scenes along the way, and more than a few howlers peppering the plot; a fun so-bad-it's-good time’s almost to be had. If you're willing, try a few pre-movie drinks. One scene where Lillith asks a headbanded Zeéeeee if she could brush her hair had me shouting, 'Yes! For the love of God, yes! Take that headband away and brush her hair!'
There’s a naked Bradley Cooper as Zeéeeee's beefcake beau, who has his bath time royally ruined by a particularly pressing wasp problem; he then buzzes off halfway into the film (the script for The Hangover must have arrived.) Although the scene where Ferland is interviewed by Cooper, and acts him and anyone else (in this scene and others) right off the screen, is genuinely creepy. Renée just puts on a tight face and stands by looking awkward. In a headband.
Renée is driven to dispair by her missing headband.
The editing may have been carried out by a drunken Edward Scissorhands, and the pace is defined by accident rather than design. Case 39 is more eventful than Joshua, but doesn’t have the daft-but-nifty twist or fun factor of Orphan - two other recent Is My Kid Satan's Spawn? genre entries. It’s so close to being a new trash gem, but, despite a grab-bag of chucklesome moments early on, it wimps out at the last minute with a wet whimper. Near the end Renée says, “You know, none of this should ever have happened!” Oh Zells Bells - you took the words right out of my mouth.
*The film was completed in 2006 but has only now seen the light of day, after an ever-shifting release date pattern that took in fifteen date changes over three countries.
Case 39 is in theaters now.
Jumat, 01 Oktober 2010
A History of... Julie Andrews
To celebrate the 75th birthday of the great Julie Andrews, our favorite singing governness, our favorite magical nanny, our favorite gender bending toast of Paris. Something big was in order. Why, she's practically perfect in every way... so in her honor, a resurrection of a long dormant exhaustively researched 100% true* series that was once the Film Experience's most popular feature.
1935 Julia Wells is born to Mrs. Barbara Wells in Surrey, England. Mr. Wells is not the father. Scandal! This bastard child will one day become the icon of squeaky clean family entertainment. She won't always enjoy it. At her christening the good fairy Fauna grants her the gift of song
1940 Having already recognized the fairy's generous gift, non biological daddy Ted Wells sends Julia to live with mom's new man Ted Andrews (also not her biological father --- so confusing!) who is better equipped to give her the musical education she needs.
1947 Julia -- now "Julie Andrews" -- makes her professional debut at the London Hippodrome singing the aria "Je Suis Titania" (i.e. 'I am Titania' -referencing the Queen of the Fairies in A Midsummer Nights Dream, no doubt an homage to generous Fauna) from the opera Mignon. She blows the roof off the place.
1951 Does not prick her finger and fall into an unnatural slumber but is, by now at 16, a British star of stage and radio. Waits impatiently, but sweetly, forlove's first kiss total world domination.
1954 Start at the top: Debuts on the American stage on Broadway in the lead role of The Boyfriend.
1956 Wouldn't it be loverly if she originated the plum role of Eliza Doolittle in My Fair Lady and concurrently became a superstar with the live television airing of the musical Cinderella? Statistics vary but her numbers are basically up their with the explosion of the Beatles on the Ed Sullivan show and the final episode of M*A*S*H. We're talking everyone... or roughly 10 times the numbers that even the biggest "event" nowadays.
1959 Love's first kiss: Marries set designer Tony Walton who she met on the stage in London many years prior whilst playing the Egg in Humpty-Dumpty.
1960 Her eggs produce first child, Emma. Also creates the original Guinevere in the smash hit Broadway musical Camelot.
1962/1963 Julie, already a household name in America, is passed over for the movie version of the role she created in My Fair Lady because Jack Warner, in a typically lazy movie industry move (that we still see every day in 2010) only wants someone "bankable." Never mind that her first two movies become enormous "all time" blockbusters, each outgrossing My Fair Lady (which was also a hit with "bankable" Audrey Hepburn). Nobody can see into the future and most people aren't willing to risk casting based on rightness for a role... even though anyone in the right role at the time can become bankable as Mary Poppins will soon prove.
1964 Kill Audrey, Vol 1: Julie's movie debut Mary Poppins outgrosses My Fair Lady. So much for not bankable. She also stars in the acclaimed adult-oriented drama The Americanization of Emily, a film which she reportedly loves, though few notice in the enormous wake of that flying nanny.
1965 Kill Audrey Vol. 2: Julie wins the Oscar, besting Audrey Hepburn (who actually wasn't nominated but this isn't the way history remembers it. Shut up!).
As follow up, Julie spins around on a mountain top; billions of people all over the world get dizzy, and thousands of fairies are born. The Sound of Music outgrosses every movie that's ever existed including Gone With the Wind (if you don't adjust for inflation).
After defeating Audrey Hepburn, Julie targets Vivien Leigh. 'You can make one dress out of curtains? Amateur!'
1966 Hitchcock, having worn on Tippi Hedren's last nerve, has to find a replacement blonde. He tries Julie out for Torn Curtain. Outcome: Not icy and anonymous enough for Hitch. They never work together again. The film is a big hit. So is Hawaii that same year. Even outside of musicals Julie is beyond bankable.
1967 Julie stars as wannabe flapper Millie in Thoroughly Modern Millie. People remember it today as a misfire or flop but sorry: another huge hit, the biggest in Universal's history up till then. Julie + musicals = box office gold.
1968 Except when it don't. Oops. Star, a bloated biopic of Gertrude Lawrence becomes her first failure. Julie divorces Tony Walton and...
1969 ...marries Blake Edwards after filming Darling Lili (1970) for the director with Rock Hudson.
1970s After five years on the mountain top of global stardom, Julie bows out of the movies, making only two more films over the decade. She has two more children and then adopts two more still. She makes multiple television appearances.
1981 Blake convinces his wife to bare her breasts, which he had undoubtedly seen thousands of times already but he's a sharer. Her boob flash in S.O.B totally scandalizes Mary Poppins fans and my parents (also Mary Poppins fans). I remember the fallout vividly from my youth. They were furious.
1982 Despite her "betrayal" of squeaky clean loving fans, Hollywood and pop culture reembrace the icon when Victor/Victoria hits. Her multi-octave slide in "Le Jazz Hot" shatters glass and thousands more fairies are born. Julie is nominated for another Oscar for her woman-pretending-to- be-a-man-pretending- to-be-a-woman nightclub act wherein she falls in love with gangster King Marchand (James Garner again) or "Fairy Marchand" as his arm-candy girlfriend rechristens him in a jealous rage.
1983 Julie Andrews loses the Oscar to Meryl Streep in Sophie's Choice as would anyone from any year in any film under any circumstance.
rest of the 1980s makes a few more movies with Blake Edwards but nothing ascends. Bares her breasts again opposite Rupert Everett in Duet For One (1986) but few notice. You only get a shock from that once.
1990s-1999 returns to Broadway, eventually revives Victor/Victoria in new form, refuses a Tony nomination for their "egregious" snubbing of her fellow cast members. Vocal problems begin. Undergoes surgery for throat nodules and something goes wrong and she is unable to sing again. A special new circle of hell is created for whomever is to blame though...
2000 ...here on earth the matter is settled in a malpractice lawsuit. Julie's Just Rewards: She becomes "Dame" Julie Andrews by order of the Queen.
2001 Speaking of Queens... The Princess Diaries opens, surprising virtually everyone by becoming a smash with non-bankable Anne Hathaway in the leading role of the Princess and non-singing no-longer bankable Julie as the Queen of Genovia. The hit film will win her a new generation of young fans and set in motion a new career in children's films, albeit usually just as voice work. As in...
2010 Despicable Me wherein Julie Andrews plays the disapproving mother of super villain Gru. On October 1st, Julie Andrews celebrates her 75th birthday.
Here's to her next quarter century as one of the great entertainers of all time!
*or truthy, same diff.
1935 Julia Wells is born to Mrs. Barbara Wells in Surrey, England. Mr. Wells is not the father. Scandal! This bastard child will one day become the icon of squeaky clean family entertainment. She won't always enjoy it. At her christening the good fairy Fauna grants her the gift of song
(We figure that's the only way you get a voice that lovely.)One gift, the gift of song,
Melody your whole life long!
The nightingale her troubadour,
Bringing his sweet serenade to her door.
1940 Having already recognized the fairy's generous gift, non biological daddy Ted Wells sends Julia to live with mom's new man Ted Andrews (also not her biological father --- so confusing!) who is better equipped to give her the musical education she needs.
1951 Does not prick her finger and fall into an unnatural slumber but is, by now at 16, a British star of stage and radio. Waits impatiently, but sweetly, for
1954 Start at the top: Debuts on the American stage on Broadway in the lead role of The Boyfriend.
1959 Love's first kiss: Marries set designer Tony Walton who she met on the stage in London many years prior whilst playing the Egg in Humpty-Dumpty.
1960 Her eggs produce first child, Emma. Also creates the original Guinevere in the smash hit Broadway musical Camelot.
1962/1963 Julie, already a household name in America, is passed over for the movie version of the role she created in My Fair Lady because Jack Warner, in a typically lazy movie industry move (that we still see every day in 2010) only wants someone "bankable." Never mind that her first two movies become enormous "all time" blockbusters, each outgrossing My Fair Lady (which was also a hit with "bankable" Audrey Hepburn). Nobody can see into the future and most people aren't willing to risk casting based on rightness for a role... even though anyone in the right role at the time can become bankable as Mary Poppins will soon prove.
1965 Kill Audrey Vol. 2: Julie wins the Oscar, besting Audrey Hepburn (who actually wasn't nominated but this isn't the way history remembers it. Shut up!).
As follow up, Julie spins around on a mountain top; billions of people all over the world get dizzy, and thousands of fairies are born. The Sound of Music outgrosses every movie that's ever existed including Gone With the Wind (if you don't adjust for inflation).
After defeating Audrey Hepburn, Julie targets Vivien Leigh. 'You can make one dress out of curtains? Amateur!'
Von Trapp play-clothes
1966 Hitchcock, having worn on Tippi Hedren's last nerve, has to find a replacement blonde. He tries Julie out for Torn Curtain. Outcome: Not icy and anonymous enough for Hitch. They never work together again. The film is a big hit. So is Hawaii that same year. Even outside of musicals Julie is beyond bankable.
1968 Except when it don't. Oops. Star, a bloated biopic of Gertrude Lawrence becomes her first failure. Julie divorces Tony Walton and...
1969 ...marries Blake Edwards after filming Darling Lili (1970) for the director with Rock Hudson.
1970s After five years on the mountain top of global stardom, Julie bows out of the movies, making only two more films over the decade. She has two more children and then adopts two more still. She makes multiple television appearances.
1982 Despite her "betrayal" of squeaky clean loving fans, Hollywood and pop culture reembrace the icon when Victor/Victoria hits. Her multi-octave slide in "Le Jazz Hot" shatters glass and thousands more fairies are born. Julie is nominated for another Oscar for her woman-pretending-to- be-a-man-pretending- to-be-a-woman nightclub act wherein she falls in love with gangster King Marchand (James Garner again) or "Fairy Marchand" as his arm-candy girlfriend rechristens him in a jealous rage.
1983 Julie Andrews loses the Oscar to Meryl Streep in Sophie's Choice as would anyone from any year in any film under any circumstance.
rest of the 1980s makes a few more movies with Blake Edwards but nothing ascends. Bares her breasts again opposite Rupert Everett in Duet For One (1986) but few notice. You only get a shock from that once.
1990s-1999 returns to Broadway, eventually revives Victor/Victoria in new form, refuses a Tony nomination for their "egregious" snubbing of her fellow cast members. Vocal problems begin. Undergoes surgery for throat nodules and something goes wrong and she is unable to sing again. A special new circle of hell is created for whomever is to blame though...
2000 ...here on earth the matter is settled in a malpractice lawsuit. Julie's Just Rewards: She becomes "Dame" Julie Andrews by order of the Queen.
2010 Despicable Me wherein Julie Andrews plays the disapproving mother of super villain Gru. On October 1st, Julie Andrews celebrates her 75th birthday.
Here's to her next quarter century as one of the great entertainers of all time!
*or truthy, same diff.
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P.S. I didn't go on and on (though I well could have) because I figure we'll have lots of opportunities to discuss this movie over the next few months, in all of its varied parts, as its totally in the game for Oscar. Go see it this weekend!
Tony Curtis (1925 - 2010)
History continually teaches movie stars -- though scant few of them seem to really listen -- that what's important is not the paycheck or even necessarily a great role but working on enough top notch material with top directors to wind up in a few classics. It's one of the only ways to ensure that you are remembered, if screen immortality is indeed your goal.
Curtis, like any star, had his share of duds but history has and will continue to remember him because he appeared in a good share of classics, most notably that one-two-three-four punch of Sweet Smell of Success (1957), The Defiant Ones (1958), Some Like it Hot (1959) and Spartacus (1960). That's a four year run of winners that would make any career a major one.
That kind of ascendance is nearly impossible to undo. Sure, huge stars usually fade and become "celebrities" rather than vital working actors... but you can't take the classics away from people.
And aside from often solid work in a wide variety of genres from those classics to thrillers (The Boston Strangler) to romantic comedies (Sex & The Single Girl with my girl Natalie Wood) we must thank Curtis for bringing Jamie Lee Curtis into the world (she's the infant in mama Janet Leigh' arms in the photograph below). That definitely made the world a better place.
The Curtis Family (left to right): Kelly, Tony, Janet Leigh and Jamie Lee
How heady must Curtis & Janet Leigh's "golden couple" years have been? Consider that during one calendar year they delivered unto the world three classics: Jamie Lee Curtis, Touch of Evil and The Defiant Ones. Then, they chased that triple with Some Like It Hot, Psycho, Spartacus and The Manchurian Candidate in the last four years of their marriage. It boggles the mind it does.
A few admittedly more timely farewells
- Boy Culture remembers a Shelley Winters anecdote
- Coffee Coffee and More Coffee shares a personal memory and marvels at Curtis ability to slide so easily back and forth between comedies and drama.
- New York Times on his good looks and storied "vigorous heterosexuality" despite the sexually ambiguous roles.
- Vanity Fair his idea of perfect happiness was "top billing"
First and Last, Will They Come Back?
first and last images from motion pictures (excluding opening/closing credits)
First and last lines of dialogue if you need another clue
Highlight for the answer to check your work -- It's FIRE IN THE SKY (1993). God, that abduction scene is SO scary.
*
First and last lines of dialogue if you need another clue
first ~ "What the hell is that all about?"Can you guess the movie?
last ~ "Oh, they won't be back. I don't think they like me."
Highlight for the answer to check your work -- It's FIRE IN THE SKY (1993). God, that abduction scene is SO scary.
*
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