SAG Injustice: When a Nomination is Still a Snub

In the afterglow of the SAG nominations, when publicists, stars and pundits are all aglow with congratulatory messaging of every sort and critics are bemoaning the fate of talented but snubbed performances, one annual dismaying group of snubs always slips through the cracks. I'm talking about the people who contributed to the movies nominated as Best Ensemble but weren't actually included when the nomination was awarded.  The nominated ensemble casts of The Fighter, The King's Speech, Black Swan, The Social Network and The Kids Are All Right do not, in all cases, fully represent the acting achievements within the film.

The following actors were not nominated in "ensemble"

Black Swan ~ This nomination includes all those demented raven-haired beauties: Natalie Portman, Barbara Hershey, Mila Kunis, Winona Ryder and the man fucking with their pretty heads: Vincent Cassell. Noticeably absent: Benjamin Millepied, the principle male dancer should have also been listed. While it's true he doesn't have a lot of "acting" to do, he gets some in, and actors sometimes get nominated for a lot less; he is one of the chief contributors to the film being its choreographer as well.

The Fighter ~ This nomination includes only the principle Oscar seeking cast: Wahlberg, Bale, Adams and Leo and one more for good measure. That's Jack McGee who plays Melissa Leo's husband so beautifully. Noticeably absent: cameo players like Sugar Ray Leonard (remember that Gwen Stefani got nominated for dressing up like Jean Harlow in The Aviator), the entire gaggle of big haired comic relief sisters, Mickey O'Keefe, the cop/trainer who Bale loves to mock (name?) and everyone else who contributed to the film's invaluable local color and weird but hugely enjoyable tragicomic bent.

The Kids Are All Right ~This nomination includes only the immediate family: Moms Bening & Moore and kids Mia Wasikowska & Josh Hutcherson and "Interloper" Mark Ruffalo. Noticeably absent: Yaya daCosta, who so deliciously handles her role of Ruffalo's fuckbuddy and employee. Seriously now, she delivers fantastic line readings in this movie and underlines some of the movie's more subtle points about Ruffalo's character as well as contributing to its randy high spirits. I consider it an egregious omission. Also absent are Mia & Josh's friends and the gardener who Julianne fires who each get more than one scene.

The King's Speech ~ This nomination includes the three principles plus Anthony Andrews, Jennifer Ehle, Michael Gambon, Derek Jacobi, Guy Pearce and Timothy Spall. It's arguably the most inclusive of all the nominated cast lists but it still manages to diss one key player. Noticeably absent: Eve Best (from Nurse Jackie) who plays the controversial and plot-relevant Wallis Simpson.The royals didn't want her around and treated her like shit. So... did the Weinstein Co decide to follow suit and do the same? 

The Social Network ~ The Facebook movie has the most bizarre and confusing case of the internal snubbings. Obviously the triumvirate of Eisenberg, Garfield and Timberlake are accounted for as are the Winklevi (both played by Armie Hammer) and their business partner (Max Minghella). But what's most curious is that the body actor Josh Pence who helped to play the Winklevi but whose face does not appear in the film was nominated but the following six actors were not. Noticeably absent: Rooney Mara's soulful portrayal of Erica kicks off the entire successful dynamic of the film's rapid-fire dialogue which in turn reveals, comments on and delights in every badly managed personal relationship within the film. The film is smart enough to return to Mara on three key occasions but she was not nominated. All of the lawyers, officials and interns are also absent. You can't include everyone of course but a few people's contributions are very noticeable including Douglas Urbanski's audience-beloved cameo as Larry Summers, John Getz and Rashida Jones as Zuckerberg's council, Denise Grayson as Eduardo's lawyer (great write up of her work at Nick's Flick Picks) and Brenda Song as Eduardo's terrifying girlfriend?

Can someone please explain how these people are not an intrinsic part of the acting network within The Social Network? 

From my understanding, the nominating committee does not pick and choose which members of a cast receive the official title of SAG nominee, they merely vote on the film titles. The studios themselves also sometimes submit For Your Consideration cast lists that already do the omissions (The Fighter's FYC screener, f.e., lists only the five names). Or perhaps the problem is the SAG rules which go like so

"The Cast of a Motion Picture includes all performers whose names appear in the cast credits of the final release print. Motion Picture casts shall be represented by those actors billed on separate cards in the main titles, wherever those titles appear. In cases of special, unusual or non-billing or credit, eligibility shall be at the sole discretion of the Screen Actors Guild Awards Committee. Members of the cast who are not single billed but are credited in the cast crawl of the motion picture announced as the recipient of the Outstanding Performance by the Cast of a Theatrical Motion Picture shall each receive a certificate."

So by this rule, no matter how great you are in a movie, no matter how large your role, if your agent can't get you single billing, you can't be nominated.
Every year there are glaring examples of actors adding to the texture, tone and overall success of their movie, that are kicked to the curb when it comes time to say "Great Ensemble!"  We think, in a prize meant to honor the whole being greater than the individual parts, that this is a terrible and avoidable injustice. So here's to those snubbed actors inexplicably dropped from the honor bestowed to their co-workers! We salute you one and all.
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Globes Snubs From Ruff' to Gritty

While the Hollywood Foreign Press Association does not have member overlap with the Academy of Motion Picture Arts and Sciences, their very high profile assures that their nominees get a large media platform with which to pursue more Oscar votes. Sometimes it helps sometimes it doesn't. But here's a list of major contenders shunned by the Globe voters this morning.

"I never thought they'd use my stuff!"

Mark Ruffalo -though The Kids Are All Right won four major nominations, he was still snubbed. This could be a bad Oscar sign. As we've long thought, he makes acting look far too easy. He takes complex characters and performs them so naturalistically that voters who like to see actors sweat or strain for effect -- there are many such voters as awards history readily proves -- will never be won over. Arguably only Jeff Bridges, an American icon, has ever really been able to get away with that and win steady awards love. Ruffalo has yet to be nominated by either the Globes, the Oscars, SAG or the BAFTAs for anything. His only major awards run remains a small handful of critics citations for his debut You Can Count on Me (2000). It's not all bad news though. His performance in The Kids Are All Right was recently nominated at the Spirits and by the BFCA.

127 Hours -It didn't place in Best Director or in Best Picture. In terms of the awards race, has it morphed into the one man show (James Franco) that it looks like on the surface?

Cher - We were pulling for a Best Actress Comedy/Musical honor because we know they don't perform the nominated songs. Get Cher back on that red carpet, damnit. This was the only place to do it really. You can never count on Oscar to let the nominated songs be performed as they should. So who knows what to expect even if "You Haven't Seen the Last of Me" gets shortlisted by Oscar. For all we know, the ageist Academy producers will ask Miley Cyrus to sing it.


Rabbit Hole  *just added* it's still only the Nicole Kidman show (but what a show that is), despite fine work from Aaron Eckhart and Dianne Wiest to either side of her.

True Grit -Zero nominations. Nada. Perhaps they didn't screen in time. Perhaps the HFPA just didn't bite... they've embraces Coen Bros pictures in the past, even more often than Oscar.

The Ghost Writer -Zero nominations. The Roman Polanski film won some early honors overseas but has been ignored by the majority of American awards. Pity. Everyone has such short memories here in the US awards circuit... even the "Foreign Press"


How Do You Know - Zero nominations. The brand new James L Brooks comedy stars Reese Witherspoon, Owen Wilson, Jack Nicholson and Paul Rudd. Brooks and his cast have won 26 Globe nominations, 8 Globe statues and a Cecil B. DeMille between them. Why no love this time? It can't be the bad buzz. The Tourist, which has received an excruciating 20% critical approval on Rotten Tomatoes (and disappointing box office receipts!) won a Best Picture nomination.

Other rejected films: Mike Leigh's Another Year, Clint Eastwood's Hereafter (they often go for him), and the Robert Duvall period piece Get Low.

Finally, we think it's worth noting that in the very loosely defined Comedy/Musical Best Picture category  --they chose two action films Red & The Tourist, one eyesore Alice in Wonderland, one musical Burlesque and one dramedy The Kids are All Right -- any number of entirely snubbed films like Greenberg, Please Give, Scott Pilgrim Vs. The World or Made in Dagenham would have been far worthier choices than the first three category (and quality) definition-stretchers. The Globes are the only major organization that reaches out regularly to comedic-tilting films, so to screw up so badly, eschewing all traditional notions of quality, is a blunder; a real opportunity wasted.

The tragedy of that Comedy category -- does it actually hurt the wonderful Kids, this guilt-by-association effect? -- is something of a headscratcher in that within some years they do make a real effort to think about the comedy categories. Remember how acclaimed the bulk of that category was just two years ago?
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NYFCC's 2010 Wins: "The Social Kids That Are All Right Network"

The New York Film Critics Circle forms, together with LAFCA (Los Angeles Film Critics Association) and the NSFC* (National Society of Film Critics), the holy trinity** of critics awards. LA & NY combined can be a potent influential mix... not that they often agree. But this year they did, further underlining the dominance of The Social Network this awards season. The other big boost went to The Kids Are All Right, Lisa Cholodenko's warmly funny family-at-crossroads film, which picked up three major wins (Actress, Supporting Actor, Screenplay)

Picture The Social Network
Director David Fincher for The Social Network
Actress Annette Bening for The Kids Are All Right
Actor Colin Firth for The King's Speech

We already knew that Best Actress was shaping up to be a Bening vs. Portman showdown. But it was not confirmed in a neatly bi-coastal way since Portman did not take LAFCA yesterday. She wasn't even runner-up. Nevertheless, it's still firmly on track to turn out that way, a two-person battle, since they're the likely Globe winners in Comedy and Drama, respectively.


Supporting Actress Melissa Leo for The Fighter
Supporting Actor Mark Ruffalo for The Kids Are All Right
Screenplay Lisa Cholodenko & Stuart Blumberg for The Kids Are All Right
Cinematography Matthew Libatique for Black Swan
Animated Film Sylvain Chomet's The Illusionist
Documentary Inside Job
Foreign Film Carlos
First Feature David Michôd's Animal Kingdom
Special Prize is there one this year? I haven't seen one specified online and their site has not been updated.

Having been a big fan of Animal Kingdom all year, I am pleased for David Michôd's win, since the praise has usually reduced the film to the Jacki Weaver show. Weaver aside, the entire cast is strong and so is the film so good on NYFCC for noticing.

Animal Kingdom's cast: Frecheville, Stapleton, Ford, Weaver,
Joel Edgerton and Ben Mendelsohn

In other film critics org news today, The Southeastern Film Critics Association named The Social Network the years best and also hilariously named True Grit's Hailee Steinfeld the best "supporting" actress of the year. What she's supporting, other than her entire Coen Bros picture, we don't know. They used to call that "carrying" a film and that's only done by lead actors. What the Christ? She's even more of a lead than Frances McDormand was in Fargo! See also: BFCA Nominations for this year's most egregious Category Fraud party. Every year has one.

*in recent years it seems that the NSFC has been fading -- so perhaps the only powerful critics orgs are now LA & NY... at least in terms of media interest -- given NSFC's late voting and the ever expanding roster of film awards.

Spirit Awards. What They Do and Don't Say About Oscar.

Now that I've had a day to think over the Spirit Awards (nominee discussion) and what they reveal and obscure about the Oscar race, here's a deeper look for my Tribeca Film column.

Eligible "Best Feature" Snubs
Blue Valentine, Get Low, Somewhere, Rabbit Hole
Not eligible for "Best Feature" or Acting Prizes
The King's Speech, I Am Love, Another Year, Animal KingdomNot eligible for anything
Toy Story 3, The Social Network, True Grit, The Town, Etc...

Remember last year when Precious: Based on the Novel “Push” by Sapphire swept the Oscars, becoming the first... oh, no, wait, that didn't happen at all. That was the Film Independent Spirit Awards. They take place the day before the Oscars each year. And they take place in a tent. We don't know the square footage, but it’s safe to say that it’s got nothing on the Kodak Theater. 

Generally speaking, the Spirit Awards are a looser, rowdier event. You can even wear jeans. As a group, they’re much more likely to honor African-American abuse dramas (Precious) or intimate character studies of "broken down pieces of meat" (The Wrestler) or teen pregnancy comedies (Juno) than the mainstream Academy is. In fact, in their entire 25-year shared history with the Oscars, the “Best Feature” and “Best Picture” prizes have only gone to the same film once.

...read the rest in my weekly Tribeca Film column.
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Actors on Actors: SAG Buzz

Have you read the Variety feature where SAG card holders are essentially campaigning for other actors for awards season? Sometimes the admiration is surely talent-based and not about who they're friends with or have worked with and sometimes it's clearly a mixture of the two.

Nicole Kidman, marvelous again in Rabbit Hole.

Marion Cotillard worked with Nicole Kidman on Nine, for example, but her tribute has one very insightful observation. She's talking about how, in the first moments of Rabbit Hole you know nothing about Becca's (Kidman) story but you're instantly drawn in despite her abrasiveness.

"Becca" is so far and yet so close at the same time. The space that is created between her and the audience is simultaneously delicate, strong, violent and full of life. A part of her is gone and will always be gone, yet you feel nothing but life.

Marion & Nic' last year

And when Marion concludes her tribute with...

She is simply one of the world's best actresses.

You have to say "amen." That's too true and a half, whether or not the actresses hit it off on musical soundstages.

Reading all the articles is a pain since Variety takes such measures to hide their content but read we must. Helen Mirren loves the theatricality and imagination of Lesley Manville in Another Year, Alec Baldwin was wowed by the authenticity of the duet in Blue Valentine. And a few actors cite the cast of The Kids Are All Right. Laura Dern calls Mark Ruffalo one of her acting heroes and delivers an astute read on why he's so magical in that very difficult part (which, alas, probably won't look difficult enough to voters less discerning than Dern). Amy Ryan gives props to The Bening, particular in the Joni Mitchell scene (her obvious Oscar clip, yes?) and Colin Firth's ode to Julianne Moore (his co-star last year in A Single Man) is wonderfully expressed. His conclusion gives me hope that The Kids Are All Right will get that "Ensemble" nomination it so richly deserves at the SAG Awards.

All of the actors in this film are on the same formidable level. I kept thinking what a joy it must have been for them to all play off of each other.

Colin & Sally. She moves him.

But my favorite might be Colin Farrell's ode to Sally Hawkins in Made in Dagenham since he admits their offscreen friendship right up front but is clearly bowled over by the talent of the friend in question. Here's the fun intro.

Sometimes I see a film. Sometimes I see a film that moves me. Sometimes I see a film that has a friend in it. Sometimes that friend's name is Sally. When I see a film with a friend in it and that friend's name is Sally, that film moves me.

I can't say that I know the feeling exactly as I have few close friends that I regularly just happen to catch on the silver screen. But I can say that I know the feeling; when I see a film with a stranger in it and that strangers name is Sally, that film moves me.

Related Posts: 

• Sally 'I Beat Meryl' Hawkins
• 7 Word Review: Rabbit Hole
• Nine thoughts on Nine
• SAG Live Blog Jan 2010

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Social Network Typography (and Screenplay Structuring)

Saw this at Rope of Silicon and just loved it. The mind boggles at the complex architecture / spacial relation skills? required to pull this off...



...of course it wouldn't be that special if it didn't have the platform of Aaron Sorkin's amazing dialogue and/or Zuckerberg's wit (from transcripts presumably), now would it?

Best Screenplay. Having recently rewatched both The Kids Are All Right and The Social Network the screenplays for both play even stronger than they initially did. Sturdy blueprints for potentially great movies they were. Both screenplays are so witty, well constructed and filled with engaging character-specific details. There's just very little that's generic about either film and there's so much that's generic about the bulk of movies released in any given year, you know? But maybe Kids has the more graceful structure arcing as it does from kids (son) to parents back to kids (daughter) without feeling too deterministic or purposefully symmetrical but still smartly pinpointed (one summer). Social employs the more traditional continual flashback frame structure but perhaps its more ambitious in scope and it's hard to top some of its killer lines. My point is: They'd both better be Oscar nominated. I love both of them but I like to weigh these things for a good long while before I name my nominees or medalists.

 FWIW the writer's branch used to be my favorite Oscar branch but I don't trust them at all anymore after the finger they gave Rachel Getting Married in 2008. Whatthehell?

Which screenplays are you enamored with this year?
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DVD Tuesday: Kids, Kitties, Benders and Bow Wow

Hey there. Kurt here from Your Movie Buddy. Today brings a fun batch of DVD releases. Or an eclectic one, anyway, especially catered to those whose brows are fairly high or exceedingly low.

The first one has something to celebrate, seeing as it just made the Academy's shorlist of Animated Feature contenders. That's right: Cats & Dogs: The Revenge of Kitty Galore has an outside shot at making it to the Kodak. Oh, what a world. As far as I'm concerned, this is a film that doesn't even enter the critical discussion. It's like Saw 3D – yes, it's one of the worst movies of the year, but it doesn't warrant the energy of placing it on a “Worst of” list. For adults without rugrats, the only logical reason I can think of to see Cats & Dogs 2 is a self-punishing desire to fret over the current state of Bette Midler's film career.

Moving on, we have Lottery Ticket, an urban comedy about greedy friends and neighbors which, like Cats & Dogs 2, I never got around to seeing. If this film musters any of the freewheeling spirit of Friday, whose community-wide mayhem it seems to be aiming for, it may generate some scattered laughs. It certainly has enough noteworthy African American comics to deliver the jokes, namely Mike Epps, Charlie Murphy and '09 buzz-maker Brandon T. Jackson. Really though, this movie seems little more than an experiment to see if Bow Wow (née Lil') can actually act. And I don't think we need to scratch off any tickets to know how that's gonna turn out.

In the plus column, there's Lisa Cholodenko's The Kids Are All Right, one of the very best films of 2010. I'm reeeaally looking forward to watching this one again, to laugh and smile and revel in it, of course, but also to reassess whether or not I was right the first time 'round in thinking that Cholodenko was too tough on Ruffalo's character. Did y'all feel that way, too? I ultimately let it slide, and accepted it as a necessary part of the family unit's progress and Cholodenko's feminist sensibilities. I basically refused to let it tarnish my full approval of the film, so wonderful 'twas.

Ironic that in the same week one of the year's best hits home video, so does what is quite possibly the year's worst. Anyone who's sat through M. Night Shyamalan's The Last Airbender (in muddy, after-the-fact 3D, no less) knows full well it's a disaster of epic proportions, and by no means the success this foolish moviegoer thought would come from Shyamalan being behind the camera but not dreaming up the story. At this point, there's not a doubt in my mind that Shyamalan's at least half crazy, for the sheer fact that he felt this unwatchable hogwash was the best product to present to the public. I'm avoiding details and examples because there are too, too many. I'll just say I was actually pleased when the drama of a mother and her screaming child one row behind me averted my attention.

*Finally, I think it appropriate to have as an addendum The Extra Man, a weirdo Kevin Kline comedy based on the novel by Jonathan Ames and helmed by Shari Springer Berman and Robert Pulcini (American Splendor). The film wasn't exactly embraced by most critics, but I found it seriously funny, and wasn't even bothered by the excessive quirk. Its class-conscious, F. Scott Fitzgerald DNA serves it well, and Kline hasn't been this uncaged since In & Out. It's worth a look.

Note: Disney's A Christmas Carol also drops today, but that movie's so 2009.

What will you be watching at home this week?

Happy Josh Day

Happy 18th birthday to one of the most in demand young actors in Hollywood, Josh Hutcherson. As time goes by, I've stopped handing The Bening, Juli and  Ruff' all the credit for the beauty of The Kids Are All Right and the glory of the ensemble work becomes clearer.  (They'd better get a SAG ensemble nod in January.) When the DVD arrives in November, I know it'll be the type of movie that gets a lot of spins.

In our introduction to "Laser", we seem him watching his friend's dad wrestle and Josh lends Laser a heartbreakingly specific look, equal parts longing, physical adrenaline (there is wrestling involved), and inchoate wonder. It's really a beautiful moment, telegraphing exactly what we need to know about the character, the one whose emotional needs kick off the film's plot. Well done, Josh.

In truth this was my first exposure to the young actor but I understand he was a minor child star? Anything worth seeing from his filmography?

Here is The Bening (!!!) -- who hasn't been leaving the Beatty estate much this year -- presenting him with a "Breakthrough Film Actor of the Year Award" a couple of months ago at something called, hey look at that, the "Breakthrough of the Year Awards"...



You'll next see Josh in either the already completed remake of cheesy 80s flick Red Dawn (the release has been shelved for the time being due to MGM problems), the art forgery drama Carmel (whenever that comes out) or the slasher comedy Detention .... no scratch all that. You'll next see Josh on the red carpet since The Kids Are All Right will get some sort of awards run... Size TBD by various precursor voting bodies.

Related Posts
Josh Hutcherson's Spider-Man Audition
Julianne Moore -Nathaniel's interview

All Good Links

Before we get to today's link roundup -- I went a little crazy as I sometimes do -- enjoy the heat sensor-like photography of the All Good Things poster. Perhaps Ryan and Kiki were a bit jealous of the ruckus Jake & Annie's nude poster caused online.

P.S. Jake Gyllenhaal is obsessed with Ryan Gosling. Just saying. I would try to quote his answer from Saturday night when the audience question 'who would you like to work with?' popped up but it was so rambling and long and confusing that I can't. But let's just say it began with Ryan Gosling, was jilted by Ryan Gosling via text "I'm busy" and then ended again with a circular non sequitor shout of "Ryan Gosling!" Jake likey. Ryan Gosling is what you might call an actor's actor... since everyone seems to want to work with him.

On to the linkage...
Candy Magazine A double take of pleasure. Yes, that's James Franco to your left continuing his trans formation from one of the great herd of Hollywood pretty boys to an actually interesting celebrity.
My New Plaid Pants is an über fan of Let the Right One In. Doesn't hate Let Me In. Since the response has been so positively muted like "it's good: also, a recreation" I've decided not to see it.
Broadway.com Carrie the Musical being revived. Wow.
Cinema Blend Me pal Katey basically says all I have to say about the trailer for Julie Taymor's Tempest so I don't need to cover it here. What she said, minus the positive bits since I liked the movie even less than she.
The Big Picture Tony Curtis grand sendoff in Las Vegas
Hero Complex Emma Stone will play Gwen Stacy in the new Spider-Man. I'm glad that early reports were wrong. Why do the whole Mary Jane story again. That said, isn't it weird that someone known as a redhead is going to play Spidey's favorite blonde and someone known as a blonde was cast as his favorite redhead. Weirdness.
The Awl Sasha Frere-Jones and Natasha VC on The Social Network. If you haven't read enough yet, it's fun as always to read these two.
50 Best Theater Blogs I'll have to investigate this list.
Just Jared Joseph Gordon-Levitt lost his older brother. So sad.
Towleroad celebs speaking about gay bullying on Larry King Live
Movie|Line offers tips to Renée Zellweger on how she could regain her A list status. I love the suggestion of a brilliant twitter feed. I hope she calls it @Zeéeee after my new nickname for her. Zeéeeee reads me right? *

Double Duty!
Movielicious Have you seen this great mashup poster for Toy Story and Tron? I wish I knew who did it to give them proper cred.
Scott Feinberg "Are Bening *And* Moore All Right." Some smart words on the The Kids Are All Right Oscar campaign.
John Luciano a Calvin & Hobbes mashup with Let the Right One In. Teehee. I used to love Calvin's girlcrush but can't remember her name right now

*Obviously I am kidding. Someone I am acquainted with who works in the industry once told me that every star googles themselves --whether they admit it or not -- and is familiar with their biggest cheerleaders and nemeses online. But I chose not to believe her because it weirded me out too much to think of Beelzebub, She Who Must Not Be Named, La Pfeiff and The Bening reading or even knowing of my puny existence.