Miscellania: Claude Chabrol (RIP), Venice (Post-Mortem), TIFF (First Impressions)

As you've undoubtedly heard, the French auteur Claude Chabrol passed away at 80. Both The Telegraph and Glenn Kenny have fine obits for your reading pleasure and if you can read French, Le Monde collects testimonials from many cinematic luminaries to honor him. I didn't know his career as well as I should but I quite liked both L'Enfer (1994) and the recent Ludivine Sagnier love/murder triangle A Girl Cut in Two. (The two of them are pictured to your left.) The prolific director's Le Beau Serge was the first French New Wave offering and we should all probably program ourselves mini-fests to catch up on his best work. Any suggestions? I'm reading these titles a lot: The Cry of the Owl, Les Biches and Le Boucher. I suppose it wouldn't hurt to catch up with any of his Isabelle Huppert collaborations either. Here's his available filmography from Netflix, LOVEFilm or GreenCine, depending on your rental pleasure.

A much less permanent goodbye, is the Venice Festival Post Mortem. Venice will be back next year... perhaps I should start saving those non-existent pennies? In Contention's Guy Lodge says arrivederci with some thoughts on the surprise jury decisions. But a lot of people are crying foul or, rather, "favoritism!" since Tarantino once dated Sofia Coppola and is also friends with Monte Hellman, who received a special award.

a disturbing still from Balada Triste de Trompeta

CineEuropa also shares a few interesting words from the double winner writer/director Alex de la Iglesias the man behind the "political slasher" Balada Triste de Trompeta aka The Last Circus. It sounds like he was on the (happy) defensive as early as the awards ceremony. His film was not one of the festival's well received entries, at least not critically.

Meanwhile TIFF is in full swing.

My day is a little crowded today with off blog happenings to investigate everything, but for now a few links. The Mickey Rourke / Megan Fox Passion Play has been declared a head-scratcher, Robert Redford's Lincoln assassination aftermath drama (aka The Conspirator) is actually getting good press and has modern political resonance. Unfortunately, it still needs a distributor to win Oscar buzz. Speaking of Oscar buzz, Miranda Richardson's definitely going to get it (the buzz I mean... not neccessarily the statue) for Made in Dagenham since the early reviews all single her out. Sally Hawkins could be a Best Actress contender as well but that awful snubbing for Happy Go Lucky might indicate that they just don't respond to her. I've adjusted my supporting actress page because it didn't look right to me anyhow and the virtual ink hadn't yet dried. Excitement is also building for the premiere of Rabbit Hole tomorrow -- here's a pic I hadn't seen from the set.

Finally...
Are you joining us for the next "Hit Me With Your Best Shot" roundups? All you have to do is...

1. watch the movie
2. post your favorite single image to your twitpic, blog, site, or other online shareable space and we'll link up.
   

Consider it an eye-candy focused mini blogathon each week. I've included the "instant watch" options if available for Netflix. Otherwise you have plenty of time to rent.

09/15 Pandora's Box (1929) instant watch
09/22 Se7en (1995, exact 15th anniversary!)
09/29 La Dolce Vita (1960) instant watch
10/06 Requiem for a Dream (2000, exact 10th anniversary!)
10/13 ...and then maybe a horror film for a possible Season 1 HMWYBS finale ... but which? (Trying to decide if we'll have the stamina to keep it up. Perhaps we should go monthly? Certainly more participation would invigorate. hint hint.)

Add your discerning eyeballs to ours to honor these fine movies.
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Venice Awards: Somewhere, Black Swan, Barney's Version, Miral

Festivals tend to have more than one jury so let's deal with the sidebar prizes first, before we get to the main competition jury, headed by Quentin Tarantino. But a little preview: Natalie Portman went home empty-handed for Black Swank but Mila Kunis didn't. Interesssssssting.

Various Sidebars

Europa Cinema Award: This honor comes from the Venice Days sidebar and the winning film was Bertrand Blier's Le Bruit des Glacons (The Clink of the Ice), a dark French comedy about an alcoholic dealing with cancer.

The Queer Lion: This prize focuses on the way films portray gay characters and themes. The winner was En el futuro (In the Future), a 62 minute black and white film directed by Mauro Andrizzi. None of the summaries seem to tell you what it's about. Hmmmm. It played in the Orizzonti sidebar of the festival. Guess they didn't like the disturbing sapphic tryst angle of Black Swan all that much.

Brian Award: Here's another highly specialized honor. This award was chosen by the "Italian Union of Rational Atheists and Agnostics." The winning film was Roberta Torre's I Baci Mai Dati (The Kisses Never Given) about a poverty stricken girl who performs miracles.

Golden Lion Cub: This is not to be confused with the top prize which is called The Golden Lion. The Cub is voted on by "schoolchildren" -- of which age I do not know -- and was given to Richard J Lewis's adaptation of the bestseller Barney's Version. Paul Giamatti plays Barney who the official synopsis calls "politically incorrect, impulsive, irascible and fearlessly blunt." so you know you've got a showy Best Actor Oscar contender there. Dustin Hoffman is his difficult father, Rosamund Pike his dream girl and Minnie Driver his ex-wife. Does Giamatti have another Sideways on his hands in terms of adult appeal and future awards play? And why would schoolchildren like it? Curious.

UNICEF Award: Julian Schnabel's political message movie Miral took this. The film, which opened to mixed response, looks at the Israel-Palestine problem through the life of a Palestinian orphan, played by Freida Pinto. Hiam Abbas co-stars. The film is supposed to arrive in December from the Weinsteins but it could be a hard sell given the always divisive topic. It's quite a personal project for Schabel as it's based on the book written by Schnabel's real life girlfriend, writer Rula Jebreal and his daughter Stella Schnabel also acts in the film. She's also in Basquiat and Before Night Falls.

LION OF THE FUTURE: This prize is also known as the "Luigi De Laurentiis" and the jury headed by Fatih Akin (Soul Kitchen, Head On) unanimously chose a film from Turkey by Seren Yüce called Cogunluk (Majority).

CONTRACOMPTO ITALIANO PRIZE: Aureliano's 20 Sigarette. The Italiano jury also gave a special prize to the actor Vinicio Marchioni for the same film.

Orrizonti Jury

ORIZZONTI FEATURE: The top honor went to Nicolás Pereda's Verano de Goliat

SPECIAL JURY PRIZE: Noël Burch and Allan Sekula's The Forgotten Space.

ORRIZONTI MEDIUM-LENGTH: Roee Rosen's Tse (Out)
ORRIZONTI SHORT: Peter Tscherkassky's Coming Attractions
VENICE SHORT FILM NOMINEE: This is another short award that has something to do with putting the film in the running for the European Film Awards. It went to David O'Reilly's The External World
SPECIAL MENTION: Laura Amelia Guzmán and Israel Cárdenas' Jean Gentil.

Tarantino's Jury. Main Competition

GOLDEN LION: The top prize went to Sofia Coppola's Hollywood story Somewhere.
BEST DIRECTOR: Alex de la Iglesia for Balada Trista de Trompeta
SPECIAL JURY PRIZE: Jerzy Skolimowski's Essential Killing
BEST ACTOR: Vincent Gallo for Essential Killing (It's interesting that he won. Guy Lodge at In Contention predicted him as sort of a Tarantino rebel call over more potentially Oscary players like Paul Giamatti. Well done, Guy.
BEST ACTRESS: Ariana Labed for the Greek film Attenberg

Actresses Evangelia Randou and Ariana Labed at Venice (top)
and in a film still from Attenberg (bottom)

"No Natalie Portman?!?", the American internet screams in bewilderment, as it so strangely always expects Americans to win at international ceremonies. Ariana Labed, the one in fuchsia above, plays a sexual innocent participating in an experiment with three other adults in a film that's drawing comparisons to last year's Greek festival sensation Dogtooth. Dogtooth's director is the producer and also acts in this film.

BEST CINEMATOGRAPHY: Mikhail Krichman for Silent Souls (Ovsyanki) by Aleksei Fedorchenko
BEST SCREENPLAY Alex de la Iglesia for Balada Trista de Trompeta
SPECIAL LION: This was a jury prize for "overall work" to Monte Hellman


And finally, Tarantino's jury gave the MARCELLO MASTROIANNI AWARD which is a prize for "Young Actor of Actress" to Mila Kunis for Black Swan. Hmmm, should we expect to see the ascending Mila Kunis in the next Quentin Tarantino picture?

Venice Red Carpet: The Town, Potiche, Meek's Cutoff

Toronto kicked off last night but before we get to our coverage there -- we'll be hearing from the same folks who covered Toronto for The Film Experience last year -- Venice is starting to wrap up. Awards will be announced before you know it.

The most 'Hollywood' Venice premiere was probably The Town which brought out the happy familiar faces of Ben Affleck, Rebecca Hall, Jon Hamm and last year's Best Actor nominee Jeremy Renner (The Hurt Locker).


Is it just me or is it always a bit odd to see Jon Hamm smiling? He's smiling so much lately and with that career you'd be smiling too. But it's so UnDraper! These townies had prophetic reason to be happy. Reviews were kind. Here's a sampling:

• Cinema Blend "bigger by nearly every measure" [than Gone Baby Gone]
  
• Newsweek "Affleck’s heist movie is part of a career turnaround so amazing that he looks like the new Clint Eastwood"

One of the most exciting things for cinephiles about film festivals is that they tend to be more auteur-focused than any other movie event.

Tykwer, Miike, Ozon and Guadagino

Tom Tykwer was promoting his latest Drei, a film about a bisexual love triangle between a long time couple and the man they both fall for (unbeknownst to each other). Obsessed With Film called it "punchy and inventive" but wasn't completely bowled over. Tykwer has yet to recapture the type of international enthusiasm that greeted his breakthrough Run Lola Run (1998) but every few years or so we get another good looking movie like Perfume or The International.

Takashi Miike makes a new movie as often as I write a blog post. At least it seems that way. He's twice or thrice as prolific as Woody Allen. The man behind violent sensations like Audition and Ichi the Killer (and many others with less staying power) was premiering 13 Assassins.

François Ozon is one of the best directors of eye candy movies in the world with a gorgeous filmography that includes 8 Women, Water Drops on Burning Rocks and 5x2 among other gems. He's also sweet to look at offscreen. I'm just saying. The gay auteur was in Venice to premiere Potiche, his latest confection starring a starry buffet for hungry francophiles: Catherine Deneuve, Karin Viard, Sergi Lopez, Gerard Depardieu, Judith Godreche among others. Yum yum. Ultimate Addict was totally entertained citing its "snappy, hilarious dialogue" and calling Deneuve "a joy to watch" though you can cut and paste that description into every Deneuve review, n'est-ce pas?

Luca Guadagnino, Tilda's I Am Love director was also in town. He's on Tarantino's competition jury. I include him because I am nuts for I Am Love and his proposed Auntie Mame remake with Tilda in the lead is the greatest movie ever made that doesn't actually exist yet. Ohmygod I want to see that like three years ago. Please make it. If only I were a multi-millionaire and could fund the project myself. This is why I should have been born rich instead of poor. I could have supported so many worthwhile creative endeavors. (Sigh)

Michelle, Tilda, Paz and the immortal Deneuve

But we mustn't forget the actresses beautifying the red carpet.

Michelle Williams is sharing a closet with Carey Mulligan? They're like twin pixie fashionistas. Michelle was in town for her role as Kelly Reichardt's (Wendy & Lucy) main muse, this time in the western Meek's Cutoff.

• Time Out London "just as rich, nuanced, mysterious and low key as anything she's made."
• Guardian "far from action packed, but still gripping."
  

Tilda Swinton appears magically wherever there are A list festivals. It's a rule of the cinema nature ...a benevolent one, too.

Paz Vega. Remember her? Would Spanglish jog your memory or have you tried to forget it?
She's in town with the Italian drama Vallanzasca.

Anyway... we could do this all day. But the question is now who will take the prizes from Tarantino's jury? Guy Lodge has predictions. Will Natalie Portman's psycho ballerina win her the Best Actress prize? Will a non-English language picture rise to the top, forcing the media to note that not all movies are from Hollywood? Venice pulls the curtains closed tomorrow.